Feature Post Four “Cultural Criticism”
How to Dismantle an Atomic Bomb by U2 is an album of complexity and art,
a harmonious blend of the strains of love and peace, violence and misfortune,
faith and the loss of it. Its cultural relevance comes in the form of its
applicability; it’s an album that touches on every painful and passionate
experience of life, and its broad interpretations allow anyone to relate to it.
It’s a manifestation of the ups and downs of life’s daily struggles, and the
spiritual struggle of any individual trying to make sense of themselves in a
senseless world. It exposes the fact that global culture lacks depth; that
people attempt to connect over materials and status, but no one truly
understands and utilizes the complexity of human emotion, and the convoluted
nature of what it means to be human. How
to Dismantle an Atomic Bomb uses lyrics and sonic elements to communicate
the innate desire to be understood, and the universal challenge of trying to
find oneself amidst the turmoil of existence.
Every
song on How to Dismantle an Atomic Bomb
touches on a different aspect of life and the human experience. Most notable,
however, are the songs “Vertigo”, “Miracle Drug”, “Sometimes You Cant Make it
On Your Own”, “One Step Closer”, and “Original of the Species”. Arguably the
most popular song from this album, “Vertigo”, is intriguing because it details
a total loss of control. It is a song about confusion and being driven
absolutely insane by the shitstorm that is life. The lyrics are a jumble of
metaphors and ideas and imagery and the guitar riff is hard and fast, creating
a desperate intensity. It seems to represent the chaos of the mind
as it wrestles with reality, what constitutes reality,
what is only perception, and whether or not there is a distinction between any of them. As Bono sings “It’s everything I wish I didn’t know”, the overwhelming
nature of life becomes obvious, and it speaks to the subtle cultural ideology that in life, no one knows what they are doing or where they are going; they are merely navigating its
obstacles the best they can.
However,
the songs “Miracle Drug”, “Sometimes You Can’t Make it On Your Own”, and “One
Step Closer” all have similar tones that are very different from that of
“Vertigo”. “Miracle Drug” is also about confusion, but in a different way than
the frantic, erratic confusion of “Vertigo”. “Miracle Drug” speaks to the
melancholy confusion of the individual, the misunderstandings between people
and the misunderstanding of oneself. It anonymously begs the subject to free
their mind, and implores whether or not there is a “miracle drug” to help
inspire this freedom, claiming “I’m not giving up” and “I want a trip inside
your head” to “hear the things you haven’t said”. It is a song about personal
growth and the mystery of everything that is left unsaid, how it can
misconstrue the understanding of an individual. In terms of culture, it exposes the human tendency to 'play it safe' or look for fulfillment in outside sources instead of coming to terms with individuality and unapologetically expressing it.
In
the same tone but with a different message, “Sometimes You Can’t Make it On
Your Own” reveals the reality that people are frequently unwilling to ask for
help. In a cruel world with a general, widespread ‘every man for himself’
mentality, there is a subversive cultural expectation to constantly achieve and
excel. “Sometimes You Can’t Make it On Your Own” highlights this fact and the
resulting attitudes people often take on because of it, believing that they
don’t need anyone else to survive and that the basic human need for love and
comfort is a sign of weakness. It challenges this ideology, stating that
“you’re telling me and anyone/you’re hard enough” but “you don’t have to put up
a fight/you don’t have to always be right”.
The
song “One Step Closer” is actually about the death of Bono’s father, and
therefore has a more general theme concerning the mystery of what happens when
a person dies. It addresses the culturally shared and instilled fear of death
and the unknown, seeming to express that this idea should be challenged and
death should be treated less as a sentence by society and more as the next mysterious
step after life, something that should be contemplated rather than immediately
feared. The song is slower and the profound, atmospheric sounds that radiate
throughout it immediately create a philosophical sadness surrounding the song
that is more than simple misery.
The last especially extraordinary
song on How to Dismantle an Atomic Bomb is
“Original of the Species”, which appears toward the end of the album. It wraps
the album up on a more uplifting note, still addressing the existential topics
that are U2’s specialty on this album, but in a more positive way. “Original of
the Species” is about embracing individuality and being unafraid of uniqueness.
Bono declares, “everywhere you go you shout it/you don’t have to be shy about
it”, giving this song an empowering vibe that encourages personal pride. It
challenges the cultural idea that everyone should strive for perfection, and
annihilates the mold of conformity that is often forced upon the population
through advertisements, entertainment, and belief systems. It is a radical song
in that it encourages love, peace, and acceptance, shattering low-lying
cultural ideologies.
How to
Dismantle an Atomic Bomb is an insightful commentary, reflecting on culture
and the ideologies that we share globally as a result of the world we have
created through actions, ideas, and inactions. It reveals the illusion of
superficiality, pulls back the curtain of all that exists on the surface to uncover
the intricacy of the human mind and spirit. It speaks volumes to the
individual, as well as to society as a whole, and acts as a mirror to these
entities. It is essentially the perfect cultural criticism simply because it
applies to every culture that exists.
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